Philip Thalis address to the National Trust 2019 Awards

Thank you for that welcome, Brian, and thank you to the National Trust for inviting me to speak today.

I would like to first acknowledge that we are gathered here today on the traditional land of the Gadigal People of the Eora Nation. I thank Yvonne Weldon for her welcome to country earlier, pay my respects to the traditional custodians of the land, to Elders past and present, and any Aboriginal people here today.

On that positive start, hopefully we will soon be seeing the enactment of Aboriginal Heritage Laws – it was great to see bipartisan support for this long overdue initiative during the recent NSW Election.

I acknowledge the Honourable Don Harwin, the Minister charged with Heritage in NSW, and we are also joined by the Honourable Penny Sharpe, Leader of the Opposition, the Honourable David Shoebridge and Frank Howarth, the Chair of the Heritage Council.

A Reckoning

We are in a period of dramatic change across our city, across our State. We have been here before from time to time, think of the era of the Macquaries, the influx with the 1850’s gold rush, the huge boom of the 1880’s, the optimism and growth post Federation with its major infrastructure investment, the 1920’s and of course post World War 2 boom, culminating in rapacious 1960’s and 70’s and so much loss of heritage, spurring the Green Bans and community resistance. [On that note, it is great to see Dr Jack Mundey is with us today.]

Aldo Rossi, the Italian author and architect noted that;

“Of course, there are certain epochs or periods of time in which a city is transformed especially quickly … when the changes are impulsive and apparently unexpected… Certain catastrophic phenomena such as wars or expropriations can overturn seemingly stable urban situations very rapidly… In all cases many forces come into play and are applied to the city, and these forces may be of an economic, political or some other nature…”

For us, without war, fire, flood or pestilence, this recent period has been perhaps the most voracious of booms in our city’s history. It’s been self-inflicted. As verification, think of these;

  • the sale of Bridge Street sandstones – the Departments of Lands and Education on site that have continuously been in public hands and use since 1788, if not before.
  • Millers Point public housing – proudly built and held in trust by successive NSW Governments over a century, through wars, booms and depressions. A unique, fragile community dispossessed.
  • The sell off of public land, post offices, some schools, landmarks such as the stately Drummoyne Water tower.
  • The lease of key institutions such as the NSW Land and Property Information.
  • Changes to Crown Land – remember its covers only half the state of NSW.
  • The scale of demolitions for the Metro across the city, including some heritage listed buildings.
  • The destruction wreaked by Westconnex, at Haberfield, Concord, Sydney Park, St Peters and knock on effects elsewhere to follow.
  • The atrocities along Anzac Parade, one of our very few grand commemorative avenues, not only the cutting down of so many of the historic Moreton Bay Figs, the needless footbridges and cut transport trenches, the defacement by RMS for the ‘multi-flow intersection at Alison Road.

Not to forget the Federal Government’s fire sale of GPO, the most important 19th century public building in Sydney, sold off for a song without consultation or even a tender.

More generally Public Sydney risks becoming Privatised Sydney – we know that regardless of political persuasion, privatisation is deeply unpopular with the majority of citizens, and constitutes a theft of public assets that would otherwise have been available to future generations.

In balancing the ledger of Public Sydney – you may know that this is a deep interest of mine – the City of Sydney has had to buy, or buy back, two heritage properties – Customs House and the former Redfern Post Office.

However, there have been some fine additions to note, especially the sublime new spaces at the Anzac Memorial, the realised and planned expansion at the Australian Museum, and the skilful internal improvements at the State Library. Similarly the funding of Sydney Living Museum’s ambitious project at Hyde Park Barracks, which has been enabled by cooperation between the City and State Institutions with the extension of the Heritage Floor Space scheme to public buildings. The jury is still out on the AGNSW’s Sydney Modern project.


In the organisation within the NSW Government there are a number of important roles and responsibilities at play, seemingly orphans to bureaucratic reshuffling;

  • the NSW Government Architect – the position is still vacant, the venerable office that has done so much for building the heritage of NSW cut back and diminished
  • where to for its specialist heritage division and the fantastic Ministers stonework project
  • the Office of Environment and Heritage turmoil, though it is good to see the new Minister who has so demonstrated his love and enthusiasm for the Arts, has the opportunity to show his embrace and custodianship of our Heritage.
  • Though the NSW Government’s support for the move and sell off of the Powerhouse has not been so encouraging – Minister this is an issue many in the room would love you to reconsider.

Which brings us to Parramatta.

  • its not just the threats to Willow Grove and St Georges Terrace by the new MAAS.
  • its not just the use and transformation panned for the sensitive Female Factory / former Cumberland Hospital site
  • its not only the cavalier demolition of Parramatta Memorial Pool, and the intrusion into Parramatta Park by the new stadium, Leagues Club and hotel
  • if only the alignment of light rail in both Cumberland Hospital and Rosehill was not so poorly considered

Further afield across Western Sydney, from Wollondilly to Windsor, there are many threats to the region’s rural heritage and environmental character due to ongoing sprawl. The intent to needlessly raise the wall at Warragamba Dam would both further intrude on the ecology of the Blue Mountains and open vast swathes of the plains of western Sydney to additional development.

Future Heritage

It is not only a question of loss, there is the issue of the quality of work we are building today – our future heritage.

We see the wanton demolition and replacement with like at Darling Harbour Exhibition Buildings, needlessly repeated at the Sydney Football Stadium and only just averted at the Olympic Stadium.

Does this signal the era of disposable public buildings, built on the cheap to be knocked down every 30 years or so – a throwaway city of junk buildings? Is this the best we can do? As if public buildings were being thrown up, not as meaningful representations of public life and civic ambition, but primarily as vehicles for staging private profiteering.

Close to here too, Sirius has been widely praised as an exemplar of social and architectural heritage. Like Windsor’s Thompson Square, it was given rise to a great public campaign to retain it.

But now is the time to look more broadly at Modern Heritage as so much is under threat.

The immanent demolition of Bidura in Glebe, of Robb College by Michael Dysart at University of New England, amongst others. The recent fight for Federation Square in Melbourne shows that recent public architecture can resonate with the community.

I’m happy to report that the City of Sydney has recently undertaken a comprehensive Heritage Review of buildings built in the city centre up to 1975, with 9 new listings added to the LEP. Wouldn’t it be good to extend this to the whole LGA? Even better to extend such consideration across the state – funding this would be a great initiative by a new minister? This should include updating Section 170 registers of public assets. This should automatically be done before any sale, as public assets would need to be recognised and protected by at least a local LEP listing.

While we are at it, would it not be opportune to investigate promoting more Local listings to State listings, more State to National listings, and indeed to search out potential World Heritage listings?

A Legacy of Design Thinking

Heritage makes us concentrate on things of enduring value and on our role as custodians for the future. The outstanding Spanish architect, teacher and critic Rafael Moneo considers that;

“I like to see the city as a building on which we are all working but one that we shall never see completed. One cannot think that any figure is completely closed, that any city has attained its plenitude.”

So it is encouraging to consider the current day frontiers of heritage;

  • appropriate recognition of indigenous heritage
  • listing of public spaces, elements, fountains, memorials, including streets and subdivisions – the structural elements beyond the visual
  • issues of appropriate curtilage around items, and the relationship of new to old
  • landscape heritage
  • interrogate past and current orthodoxies regarding the distinction of old and new
  • rethink adaptive reuse as creative adaptation

What’s encouraging is to ally heritage with design thinking, and to engage the community in the discussion. In his major work with historic buildings, the celebrated British architect David Chipperfield observed;

“This concern led us to create a new building from the remains of the old, a new building that neither celebrates nor hides its history but includes it… Where each decision, whether about repair, completion or addition, was grounded by the articulation of its physical quality and its meaning, where all parts of the building attempt to inflect to a singular idea: an idea not of what is lost, but what is saved.”

These are some of the issues that are covered in these National Trust Awards, now in their 25th year. The awards constitute a celebration of much that we are doing well as a society. When we look across the many categories, we see so much fine work.

I know from experience how satisfying the recognition of these awards from your peers is, recognition of all the work and the time you have put in, drawing on your research and knowledge, growing your own experience, led often by your fascination with the place, its people and its stories. In many cases you will have added a chapter to these stories.

For heritage is one of the few endeavours where we actually respect the quality of places, of artefacts in our city, our society. To me this is both positive and a challenge. We have a ‘planning’ system which is really a development system – it hardly considers the qualities of our cities and places, fails to notice that our public spaces are the foundation of our urban settlements.

Really what we need is a reorientation of our city making activities towards embodying the public interest, durable qualities, genuine sustainability, long term thinking. We should only consider demolition to be acceptable when the replacement can demonstrably be shown to be an improvement. So far heritage is the only mechanism available that recognises to any extent such thinking. SEPP 65, recent additions to the EP&A Act and LEP’s are rare recent examples where planning explicitly advocates design quality as the objective. As advanced recently by the NSW Government Architect in their new policy ‘Better Placed’, we need to make all aspects of good design the intent of ‘planning’.

The Long Perspective

Its perhaps fitting to conclude with one of the great heritage challenges of this year, of any year – the catastrophic fire at Notre Dame in Paris. Around the world it is by no means alone in terms of national disasters, of heritage losses. France looks at how and what to rebuild. Writing in 1831, when the cathedral last sustained major damage and neglect following the French Revolution, before the emblematic restoration by Viollet Le Duc who constructed the fleche that has just perished in the fire, the novelist Victor Hugo wrote in Notre Dame de Paris;

“Great edifices, like the great mountains, are the work of centuries. Often architecture is transformed while they are still under construction – pendent opera interrupta.. The new architecture takes the monument as it finds it, assimilates it to itself, is encrusted on it, develops it as it wants and, if possible, finishes it. This is achieved without fuss, or strain, or reaction, in accordance with a tranquil law of nature. A graft occurs, the sap circulates, the vegetation recovers… the individual and the artist, are erased from these great piles, which bears no author’s name; they are the summary and the summation of human intelligence. Time is the architect – the nation the builder.”