“As irreverent as it is poignant” (Australian Arts Review), this classical cello recital plays out like a piece of performance art run by a masterly jester blurring artistry, humanity, and insanity. Featuring Suite Number One in G Major by JS Bach and personal comedic pieces crafted in Idiot classes, Karen fuses in a healthy dose of pathos tackling identity, expectations, and success through the eyes of a fool.
Winner – Tour Ready Award San Diego Fringe
Winner – Best of the Broadwater encore at Hollywood Fringe
Nominee – Best in Spoken Word and Storytelling
Top Ten Theatre pick by Stage Raw Los Angeles
★★★★ – Sydney Arts Guide
★★★★ “comic timing as impeccable as her playing” Everything Theatre UK, London
SOLD OUT Run at Vancouver Fringe